The Roaring Sun.

2021. Photography and Text.

The Roaring Sun explores themes of fragmentation in an increasingly technologically globalised world; presented through a series of images of dismantled railways and the decentralised infrastructure that has replaced them.

In exploring my surroundings, I found the remnants of a long since dismantled railway track that runs through the road I live on. I wondered what changed about our society that compelled us to dismantle this infrastructure, that not long ago, was the very centre of it? Whole cities were organised around train stations as social hubs.

Marshall McLuhan touches on this in Understanding Media, saying, “Electric power, equally available in the farmhouse and the executive suite, permits any place to be a centre, and does not require large aggregations.” (McLuhan, 1964)

The dismantling of railways then, is simply a biproduct of our moving away from large centres, facilitated by the internet, to smaller, more atomised islands of thought.

Writing.

In 1974, Arthur C. Clarke, when asked if in the future we will become a computer dependent society, answered, “In some ways, yes, but it will also enrich our society, because it will make it possible for us to live, really anywhere we like." (Clarke, 2013)

What could not be predicted so easily though, was that the depth of social interaction would be reduced, and the unintended consequences of this.

The internet allows for everyone to be connected, perhaps the closest thing to a global collective consciousness. In speaking of a global collective conscious, you are speaking really of a large, intangible structure or network. Similar to our own internal nervous system, a network that we know is there, that in many ways is us, but we can never truly grasp it. This collective conscious has an architecture, it exists in form as well as not, like the railways.

The collective conscious acts as a global structure that permits us to understand the world as a whole, but not as individuals - you would think that creating an extension of our central nervous system through a technology like the internet, would serve only to tighten our connections with one another; rather, this consciousness only exists in social environments where we too exist fully. I photographed the nodes of this network; power stations to the grid, the houses they are connected to, bridges - all viewed from the bed of the dismantled railway.

We can reduce ourselves now to fragments, floating off structure from the collective conscious, talking about things that will never escape the gravity of their own, ever more specialised centres of discussion, as we seek further to only converse with those who already agree with us.

Kurt Vonnegut gave the following bit of wisdom in Breakfast of Champions, "Kilgore Trout once wrote a short story which was a dialogue between two pieces of yeast. They were discussing the possible purposes of life as they ate sugar and suffocated in their own excrement. Because of their limited intelligence, they never came close to guessing that they were making champagne”. (Vonnegut, 1973)

Bibliography.

McLuhan, M., 1964. Understanding Media. 1st ed. Oxford: Routledge Classics, pp.3, 5, 8, 13, 46, 52.

Clarke, A., 2013. One day, a computer will fit on a desk (1974) | RetroFocus. [online] YouTube.com. Available at: <https://www.youtube.com/watch?v=sTdWQAKzESA&ab_channel=ABCNewsIn-depth> [Accessed 30 April 2021].

Vonnegut, K., 1973. Breakfast of Champions, or, Goodbye Blue Monday!. 1st ed. London: Vintage, p.209.